Talk:Syndicalism: Difference between revisions

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Kamilazer- I found that in reflections on violence sorel is very anti bourgeiose but hates aristoracies that have been infected with bourgeiose ideals: In the last chapter of my book I have said that art is an anticipation of the kind of work that ought to be performed in a highly productive state of society. This observation, it seems, has been very much misunderstood by some of my critics, who have been under the impression that I wished to propose the aesthetic education of the proletariat under the tutelage of modern artists as the answer of socialism. This would have been a singular paradox on my part, for the art that we possess today is a residue left to us by aristocratic society, a residue which has, moreover, been greatly corrupted by the bourgeoisie. According to the most enlightened minds, it is greatly to be desired that contemporary art should renew itself by a more intimate contact with craftsmen; academic art has used up the greatest geniuses without succeeding in producing anything which equals what has been given us by generations of craftsmen."

Latest revision as of 15:37, 1 February 2024


Kamilazer- I found that in reflections on violence sorel is very anti bourgeiose but hates aristoracies that have been infected with bourgeiose ideals: In the last chapter of my book I have said that art is an anticipation of the kind of work that ought to be performed in a highly productive state of society. This observation, it seems, has been very much misunderstood by some of my critics, who have been under the impression that I wished to propose the aesthetic education of the proletariat under the tutelage of modern artists as the answer of socialism. This would have been a singular paradox on my part, for the art that we possess today is a residue left to us by aristocratic society, a residue which has, moreover, been greatly corrupted by the bourgeoisie. According to the most enlightened minds, it is greatly to be desired that contemporary art should renew itself by a more intimate contact with craftsmen; academic art has used up the greatest geniuses without succeeding in producing anything which equals what has been given us by generations of craftsmen."